Use of Contrasts in Act I of The Tempest

February 9, 1997 OAC Writing Assignment #1 - Use of Contrasts in en professment I of The Tempest         William Shakespeare used many different piece devices when he wrote his plays. In set I of The Tempest, the use of contrasts amidst characters, setting, and ideas were a lot used to develop the story, and more importantly, the messages that Shakespeare wished to stage by the play.          bingle good example was how some characters in the first act had their counterparts. Ariel had Caliban, and Gonzalo had Ferdinand. The relationship between Ariel and Caliban could clearly be seen throughout roleplay I, scene II. Ariel was the airy spirit that could assume different shapes, much(prenominal) as the lightning flames seen on the ship (Shakespeare 31), and who had quickness, lightness, grace, and total control oer his actions. On the early(a) hand, Caliban who represented the body, couldnt control his actions and thus made him the glacial of Ariel. He even tried to rape Miranda once, but was stop by Prospero in the process. In fact, it might even be gum elastic to say that Caliban was anti-Ariel, being slow, stupid, and lazy.         Gonzalo and Ferdinand were also contrasted in this act.

In Act I, scene I lines 28-33, Gonzalo made childs play of the boatswain by saying that he didnt look alike the type to drown, rather he resembled more of the type to be hanged. Thus implying that no champion on the ship would drown. This move by Gonzalo showed that he was an optimistic person. On the other hand, subsequently landing on the island in Act I, scene ii, Ferdinand grew misgiving of his father and f orthwith presumed he was dead. He even went! as far as saying that he was now the new(a) King of Naples (Shakespeare 45). Therefore, one can see that... If you want to realise a spacious essay, order it on our website: OrderEssay.net

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